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Title |
Playback |
Score |
Instrumentation |
Performers |
Recording |
|---|---|---|---|---|---|
| Standing Waves (2009) | Score | Ensemble and Electronics | Wet Ink Ensemble | ||
| Signal Flow (2009) | Score | Percussion Quartet | So Percussion | ||
| SWITCHES (2007) | Score | distorted cello and drums | Dave Eggar and Payton MacDonald | quiet design | |
| American Tokyo Daydream IV (data structures/monoliths) (2007) | Score | accordion, guitar, saxophone | Wet Ink Ensemble | carrier records | |
| American Tokyo Daydream IV (data structures/monoliths) (2009) | Score | guitar, saxophone, piano, percussion | Flexible Music | ||
| A Circle of 8 in a Prime of Primes for Sara (31), by Sam (29) | Score | Sheng, Pipa, Suona, 11 Handbell Players, 5 Bowed Piano Players, Computer Controlled Feedback | Melody Of China | ||
| 7:6 (2007) | Score | solo cello | Ha-yang Kim | ||
| American Tokyo Daydream III (The Surprise) (2006) | Score | piano, string quartet, laptop, am radios | David Hanlon and Allsar Quartet | ||
| American Tokyo Daydream II (Incognito) (2006) | This piece an improvisation for any instrument and laptop. | versions done: guitar, violin, 2 flutes, sopranino saxophone | Phil Ward | ||
| noise + mobile (2005) | Score | piano and cd | Teresa McCollough | ||
| Mix - Deep Breaths - Remix (2005) | Score | saxophone quartet | Prism Quartet | ||
| Glissando Bin Laden and His Musichideen | 2 violins, bass clarinet, 2 laptops | Jim Altieri, Carrie Mallonee, Meighan Stoops, Alex Ness, and Sam Pluta | |||
| exclusiveOr | vintage analog synthesizers | Jeff Snyder and Sam Pluta |